This individual brief has been composed to further my knowledge and photographic capture of an extensive collection of locations for an assortment of visual uses. Blackburn University Centre is situated within a dramatic and spectacular region that embraces an outstanding choice of locations accessible for photographic exploration including countryside, urban sprawl, coastline, rural villages and post-Industrial towns.
There are four distinct classifications within this unit that will facilitate me to further my knowledge and awareness of location photography whilst developing my individual slant to photography.
A familiar or significant place
An alien of foreign environment
The wilderness and countryside
An urban sprawl
A familiar or significant place
An alien of foreign environment
The wilderness and countryside
An urban sprawl
Before I commence researching practitioners within the industry I want to make sure I am certain of what is being expected.
Definition of Place- An area with definite or indefinite boundaries or a portion of space.
I am finding it incredibly demanding to assign myself to photographing unfamiliar environments other than the traditional landscapes, as this is a field of photography I have never stumbled upon previously. Facing the task ahead I am going to extend my knowledge in the four categories by researching photographers and enthusiasts who with a bit of luck will help outline the brief ahead.
I have purchased a sequence of books by one of the worlds most experienced and respected landscape photographers Charlie Waite, whose book is typically entitled “Landscape photographer of the year”. It comprises of various visually stunning images by photographers of all ages in an all manner of locations. Respectively they have a somewhat traditional appearance but this is a style that really astonishes and inspires me to go the extra mile. I have managed to locate individual examples that you can observe below.
Antony Spencer
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Antony Spencer’s Corfe Castle |
A truly outstanding image captured by Antony that reveals various intense textures, and appears as if it could be a painting. Had Antony photographed this image an hour beforehand or afterwards he may not of realised the potential due to the transformation in light.
The isolated castle provides an ideal focus of interest and an effective balance for the mass of foreground scenery. Another thought-provoking technique that enhances the intensity of the image is the incline in the background forming a diagonal element in its composition.
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| Oilseed Rape Antony Spencer |
Another delightful image captured by Antony revealing grassland sprouting Oil seed rape. It is clear to see that Antony realised the potential for an interesting image simply because of the bold colour elements that produces a fabulous and effective design. The image has an almost surreal quality that is a characteristic I crave when it comes to photographing the landscape.
John Parminter
Edward Weston
William Eggleston
An excellent representation of an urban environment revealing dreary colour tones that ironically compliment the image giving the viewer a strange sensation.
It was essential that I was to begin generating ideas of locations for the shoot so I formed a brain storming exercise that would assist me to accomplish this.
A number of weeks ago I visited The Wild Boar Farm in Chippin, near Longridge, for a family day out which I new would be a fantastic opportunity to capture various candid images. When we arrived I realised the potential I had in capturing images for the places brief simply because of its beautiful surroundings offering Picturesque walks in the Trough of Bowland right by the river Hodder. Whilst strolling about I photographed assorted views and endeavored to capture the countryside at its best.
I have added my contact sheet from which I will select my ideal images.
Familier Place
Countryside or Wilderness
Urban Sprawl
Evaluation
John Parminter is a professional photographer who gets tremendous pleasure from capturing images of natural beauty. Fortunately John was born was brought up in the Lake district one of the most striking places in England so it was no wonder why he has such an eye for photography.
John Parminter is a professional photographer who gets tremendous pleasure from capturing images of natural beauty. Fortunately John was born was brought up in the Lake district one of the most striking places in England so it was no wonder why he has such an eye for photography. Using tone-mapping techniques John successfully creates a profounder array of tones, a richer textured appearance and confidently a 3 dimensional effect throughout a scene.
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| Summer Silence, John Parminter |
The description of this image is seamlessly precise. Who could believe that an image could create such an undisturbed soundless impression? The illuminated tranquil waters create a breathtaking reflection that isn’t to be unseen, with the sunlight’s soft glow generating harmonious colours, which together construct a very enjoyable restful quality.
Joe Cornish
I was initially familiarized with Joe Cornish’s photography by my father who is also a strong enthusiast when it comes to capturing landscapes. Joe has an inspiring and abiding love for the outdoors particularly the wilderness and wilder areas of the world. Best recognized for his coastline collections and conspicuous foreground elements, wide depth of field and highly saturated use of colours that all are associated with Joe’s distinctive style and composure.
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Paparoa Coast, New Zealand |
Joe states that the image was captured in such darkness that he very much struggled to focus sufficiently and it also required a four-minute exposure. The darkness approaching is the fundamental part of the image creating a gloomy ominous effect. From working with long exposures on my previous diploma course I can fully appreciate the complexities in creating the preferred characteristics.
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Flow of light, Nash Point |
I adore how Cornish utilized the light to his advantage and selects scenery that reveals the environment in the most superior way. The sunset has formed warm pastel tones throughout the image suppressing unwelcomed highlights formed on the rocks.
In order for me to strive further with the brief it is essential I expand my knowledge of practitioners not only of the present but fundamental photographers of the past.
Ansel Adams
One photographer that is significant to this history of photography is Ansel Adams. Ansels technical brilliance made him proficient of transforming a conventional scene into a luminescent, fully appreciated, exquisite item.
Ansel Adams
One photographer that is significant to this history of photography is Ansel Adams. Ansels technical brilliance made him proficient of transforming a conventional scene into a luminescent, fully appreciated, exquisite item.
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Mount Williamson, Ansel Adams |
Adams Mount William image is well celebrated for countless reasons. The composition and structure of the image is fascinating with the mountains in the near distance forming large triangular structures with a clear cut slope at the midpoint with constructs a symmetrical outcome.
Adams developed the legendary and exceedingly intricate "zone system" of regulating and relating exposure and development, allowing photographers to imaginatively envisage an image and create a photo that fitted and expressed their ideal impression.
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| Snake River, Ansel Adams |
Ansels imageries of the national park characterize some of the finest monochrome images ever taken. This is an additional timeless image that discloses his passion, timing and persistence.
Ansels imageries of the national park characterize some of the finest monochrome images ever taken. This is an additional timeless image that discloses his passion, timing and persistence.
William Henry Jackson William Henry Jackson was one of the most distinguished landscape photographers of the 19th century and more than ever throughout America. He was a man with a love for the great outdoors particularly the extensive heights of the mountain ranges. Although Jacksons collection was relatively small, it bridges his extensive career, that undoubtedly displays his increasing ability and superiority in photographic capture.
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Chattanooga & The Tennessee River From Lookout Mtn., TN, 1902 |
Considering the time between 1902 and present the quality and detail in this image amazements me. There is something that stuns me about images captured on film; maybe it’s the detail and background efforts that give the image a history and a sense of belonging. I am going to attempt to capture images on film for a section of this brief so I can trial my abilities with exposure and post development.
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| Grand Canyon of the Colorado River |
One of Williams greatest recognized images shown above. The grand scale of the mountain is reflected in the size of the individual situated underneath the base of the cliff.
Edward Weston
Edward Weston is one the finest landscape photographers of all time. Incorporating Historical, social, cultural and political framework in his images it’s really no surprise they have been described as “a vision of sheer aesthetic form”. Weston’s images are very distinctive and usually consist of three crucial elements, a substantial Contrast, rippling Curves and vigorous Compositions.
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| Dunes Oceano, Edward Weston |
Weston never cropped, enlarged or retouched an image forming a natural, unpretentious romantic aspect in his collections. You can almost envisage each miniscule speck of sand that together forms a smooth dreamlike silky texture.
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| Fungus, Edward Weston |
Although this is a method of photography I am not closely attracted to, it reveals Weston’s potential and ability in shooting the subject close up creating a distinct impressive piece.
Brett Weston
Brett Weston
Brett Weston is an American photographer who is the second son of Edward Weston stated above. He was well thought of with individuals claiming he was the “child genius of American Photography”. Brett had been gifted with an eye for photography and you can most definitely see this throughout his earlier collections that featured exquisitely controlled lighting and restrained landscapes.
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| Mono Lake, Brett Weston |
The natural form in this image being the lake has produced a mirror image of the cloud formations. The crisp still water is a mix of subtle different tones that blend together amazingly.
William Eggleston
I was first introduced to William Eggleston’s body of work by one of my former tutors in college a number of years ago. His images didn’t appeal to me remotely and I couldn’t for the life of me understand or appreciate why anybody would want to capture such nonsense. My opinions and feelings of his work have changed considerably and I now have a passion for his unique approach. Eggleston has a unique ability to portray beauty in everyday ordinary scenes such as parking meters and street barricades. He applies a distinct array or highly contrasted rich colours which when you look at depicts the world in its most outspoken way.
Without the signpost in the foreground of the image I believe it would be lacking an essential element, although I don’t consider that Eggleston would have realised the conceivable potential for the visually dramatic image that he has managed to construct.
Eggleston creates images with a lot of negative space that for most photographers including myself who lack his capacities and talents could never execute, yet William is successful because of the use of colours and textures.
William appears as a photographer who never overlooks the opportunity to capture something unexpected, where most photographers wouldn’t see the opportunity for a great photograph Eggleston captures ordinary details that you usually wouldn’t look twice at.
The sky is often an essential component of photographing landscapes and the outdoors. The existence of clouds can enhance significantly the images reaction by augmenting the dramatic atmosphere. It can also assist in transforming a flat unexcitable image into one of magnificence.
Sarah PickeringSarah Pickering investigates truth versus credibility through the medium of photography. Her unmanipulated and untouched images preserve actions whose connection and structure seems to be part of a distinctive, but no lesser, truth. She worked with the emergency services, and the police to construct some of her most fresh collections of work.
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| Farrance street, 2004 |
I am most interested in a body of work Sarah has generated entitled Public order. They are images of an urban environment consisting of abandoned, boarded up windows charred gates and so forth depicting a beautifully set urban image. The images consume a grandeur perspective and have definitely changed my opinions on an urban image that I have always thought of as boring and unattractive.
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| Semi-Detached 2004 |
One key component I enjoy in Sarah's images are the random splurges of colour vibrance located amongst the dull, and dreary grey tonal areas.
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| Canary Wharf |
It was essential that I was to begin generating ideas of locations for the shoot so I formed a brain storming exercise that would assist me to accomplish this.
Definition- Often Encountered or seen, having fair knowledge; acquainted
Having or expressing a meaning; meaningful
Definition- Not within ones knowledge; strange
not being acquainted; non conversant
Definition- A rural Region
An unsettled, uncultivated region left in its natural condition, especially:
A large wild tract of land covered with dense vegetation or forests.
An extensive area, such as a desert or ocean, which is barren or empty; a waste.
A piece of land set aside to grow wild.
Definition- The unplanned, uncontrolled spreading of urban development into areas adjoining the edge of a city
As an introduction into the places brief we were given an assignment in itself to capture images around Blackburn and its surrounding areas. I believed the task was a little meaningless at the time because I find the areas of Blackburn not particularly attractive or scenic. I didn’t want to dismiss the task so my friend and myself travelled to various locations in Blackburn and captured images that I wouldn’t naturally even think of visiting never mind photographing.
I have located a map of Blackburn and pin pointed the locations visited with a black ring.
Looking back at the task I essentially didn’t for fill the requirements agreed. The images were intended to be shot of a journey from a location in Blackburn documenting the areas visited.
From what I have viewed digitally of the images I don’t consider them to be visually stimulating or distinctive in any way, but I am still going to post edit the images because you improve an image by simply adjusting the colour tones.
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ISO 400, F16, 1/250S |
This is an image approach that I am unaccustomed with. Typically when shooting in a park and its surroundings I would generally photograph the landscape capturing trees and greenery but in this instance I decided to take images of different view points and perspectives. I am fairly satisfied with the end result after the post editing process.
The editing process for this image was fairly simple and unpretentious; I merely corrected the saturation and brightened the image whilst adding crucial shadows and highlights. I then desaturated the image whilst dropping the vibrancy that gives it a soft glow.
Turning the saturation up to excessive levels I consider transforms the image completely, loosing various qualities if used in the incorrect type of imagery.
Exposure of an image is crucial. An overexposed image if not desired looses highlights and key elements, but at the other end of the scale an underexposed image doesn’t guarantee enough detail.
Adjusting the shadows and highlights tool can be a great idea to lighten images black points but too much can alter the image creating an unfavorable cartoon effect.
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ISO 400, f16, 1/250 |
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| ISO 400, F,16, 1/250S |
Looking back, I have concluded that I am not very enthusiastic about the images style and colour range, although I do enjoy how the winding slide sweeps through the image and leaves the viewer not knowing were it is leading.
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| ISO 400, F,14, 1/125S |
One key element in this image that I relish is the reflection of the greenery that is almost as crisp as above, effectively doubling its visual appearance.
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| ISO 400, F,25, 1/160s |
Another image that reveals a beautiful reflection, unfortunately it’s not a picture that would project or create a reaction off the viewer, which is desired.
Although I will not be applying any of the nominated images for the brief, it has given me a broader outlook to the different approaches of imagery available that also demonstrates that locations don’t have to appear picturesque for the image to be technically and visually spectacular.
Unfamiliar place
Whilst enduring the places brief I had the fantastic opportunity to visit Paris, an additional City I have certainly not visited beforehand. Paris is well known for its numerous traditions and architecture that to photograph are visually stunning but I have to confess I was reasonably stunned with the disarray of the buildings and structures, although this cannot be said for certain areas of Paris.
I have added the contact sheets from the images taken in Paris to assist in selecting images to post edit.
Unfortunately one of my several memory cards failed after arriving home so there aren’t as many images to decide from.
The slight segment revealing the sky is distinct at the top of the frame, which produces a useful focus of interest. The symmetrical arrangement of the greenery forms a dramatic perspective which I particularly take delight in although I do wish I had waited a moment until the individuals in the distance had moved on.
I have deliberately altered the colour content in the image to make it look like contemporary image; instead I have failed creating a distasteful, bland image.
Unfamiliar Place
n amateur photographer who I located on Flickr captured this image. The representation is genuinely mind-blowing and surreal. I enjoy the diverse colour variation and get an immense feeling of being hauled into the landscape and I imagine that this is because of the cloud formation and tree both being blustered in a similar direction.
Unfamiliar place
Whilst in the area we decided to visit Old Mother Shiptons caves which is located near Harrogate. This is yet an additional area I have never visited before so it was a great chance to visit and see the various landscapes and architecture
As you may agree the vibrant colour palette doesn’t compliment the beautiful surrounding setting and I feel I have spoilt the image by misusing the filter.
Unfamiliar Place
Unfamiliar place
I wanted to create images with a sense of originality and innovation and I don’t believe I have produced this although it is a new personal style I have attempted and experienced whilst recognising it doesn’t work.
At first glance I enjoy viewing the image, but when I look closer it appears as if the structure has been attached onto a plain background creating an extremely flat image.
A fairly natural traditional image revealing a typical French scene. I am eager to capture images with a distinctive viewpoint and I believe I have achieved exactly that with this image only capturing the cork of the antiquated buildings. I have been in contact with a local professional photographer who has observed my images and provided me with advice on how to advance them visually and technically which in this case was to zoom in closer to capture more detail which I will keep in mind for future shoots.
Very often when shooting in busy locations shooting, a distinct viewpoint is the only means of capturing the image you desire. I am an enthusiast in creating images that display a pattern or an element of continuity and I feel the image represents a satisfactory example of this, although when I explore the image further I believe it would have been stronger if there had been a more decisive focus of interest.
Although I may not of achieved an outstanding collection of images during my visit to Paris, I have gained experience and now have a greater understanding in capturing images in various unfamiliar locations.
Brimham Rocks is situated in Summerbridge North Yorkshire. It is an extraordinary tourist attraction I have not ever visited before but my partner enlightened me of its spectacular views and glorious surrounding countryside. I didn’t know what at all to expect, so I decided on explored into the history of Brimham.
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| Brimham Rocks, Joe Cornish |
Brimham Rocks are balancing weird and wonderful rock formations situated on Brimham Moor. The rocks ascend at a height of around 30 metres that are preserved and maintained by the National Trust. They are not so much a landscape but instead a dreamscape or a city of rocks. The rocks have an attraction, an antiquity and a illusory which by far surpasses anything that my wildest imagination could envisage.
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| Terra Vox |
Like most landscape photographers I have a passion and a slight obsession for photographing trees, particularly isolated ones. This is why I have selected this image taken by Vox. This image is relatively free of cloud, but in photographic terms this is a negative and undesirable component, giving less opportunity for variety. If this image had been captured in colour the coarse textures and rich shadows would not have been fully exploited.
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| Flickr |
I checked the weather forecast a number of days following up to the proposed trip and it was evident the weather wasn’t going to be great to be in the outdoors, but superb for capturing the landscape with a moody, intense outlook.
I also acquired a number of coloured filters that I considered would help to intensify colours and prevent underexposure when a large area of a bright sky is included in my image. A graduated filter, which is the type of filter I have purchased, can emphasize the effect of a murky unsettled sky.
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| An identical representation of the filter I purchased |
I have included the contact sheets to reveal the variety of images I have to select from to become my preferred images from the particular shoot.
I acquired a range of images from the shoot, intending to capture diverse viewpoints, light sources composition and perspective. Below I have picked out my preferred images from the shoot and given me reasoning for this.
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| ISO400, F6.3, 1/250S |
I shot this image with my graduated Purple filter, which has exaggerated the colouring in the sky. Although the picture appears to be a very unnatural-looking scene it is the outcome and impression that I sought to reveal. One undesirable factor that I am struggled to eliminate was the lilac colouring on the branches of the secluded tree. This was due to my actions whilst shooting and I believe that I arranged the filter incorrectly in the attachment frame.
The sky was very dull and overcast causing light to be lost in the clouds disturbing the degree of shadows and highlights generated. I simply altered this in the post-editing process where I added to the volume of shadows and highlights.
As you can observe, using this tool can increase the amount of detail especially on the rock formations, although adjusting excessively I find transforms the image all together creating ineffective colourings and variations.
I also decreased the contrast of the image and altered the tones to give the desired effect I sought after which included changing the colour of the grass and wildflowers to a seemlier tone to complement the other various colours.
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| ISO 400, F6.3, 1/125S |
I shot this image in black and white because I new it would produce finer more valuable qualities.
Something that is key in creating texture is the quality and direction of light. I enjoy how depth of field has been produced throughout the image with only the interestingly shaped rock formations in focus and the views of the countryside being exposed faintly in the background, drawing you to the key focal point making the subject stand out more clearly from its background.
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| ISO 400, F6.3, 1/25S |
The rock formation in the foreground towers over the negative space making the image have an attractive characteristic, and almost as if it’s a natural frame. This isn’t something I intended on capturing it was just sheer luck. I have adjusted the contrast on the image and the shadow and highlights because I was loosing crucial details and features on the rock.
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| ISO 400, F6.3, 1/150S |
I am unconvinced to whether I like this image or not. Full of activity and a generally an interested image yet I feel it is lacking in some description. One element that slightly annoys me is the random bits of tree that peer into the image, I have attempted cropping them out but it destroys the view and withdraws a significant part of the picture which is the oversized rock.
I am reasonably satisfied with the images I captured from Brimham Rocks, but in certain ways I wish I had applied the purple filter fewer occasions, because in certain images I have noticed the filter destroys the overall appearance.
Unfamiliar place
Whilst in the area we decided to visit Old Mother Shiptons caves which is located near Harrogate. This is yet an additional area I have never visited before so it was a great chance to visit and see the various landscapes and architecture
Mother Shipton is still today England’s most celebrated Prophetess. She lived over 500 years ago throughout the reigns of King Henry VIII and Queen Elizabeth I.
Her Farsighted dreams became known and dreaded throughout England, with many of them still confirming uncannily accurate today.The Cave, her legendary birthplace is near to the famous, exclusive, environmental experience, The Petrifying Well were its enchanted flowing waters convert objects into stone. The Petrifying Well is England’s Oldest Visitor Attraction, first opening its gates in 1630!
The caves weren’t as beautiful to photograph as the lighting was slightly dimmed, but the walk was alongside a beautiful river with a picturesque railway arch raised high above the water perfect to capture. I have added selected images from the shoot although I am not all at impressed with the outcome to say the location was so stunning, I feel I have let myself down.
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| ISO 400, F6.3, 1/125S |
The image needed a moderate amount of cropping as I had captured a segment of the fence panel that had been fixed in position for safety reasons. I do enjoy the clear rippled reflection of the arches making the image almost appear twice. I de-saturated the picture as I sense it provides a more undisturbed atmosphere. I have added the example of the image in colour to support my actions.
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| ISO 400, F6.3, 1/125S |
As you may agree the vibrant colour palette doesn’t compliment the beautiful surrounding setting and I feel I have spoilt the image by misusing the filter.
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| ISO 400, F6.3, 1/125S |
I frequently drive down the m6 motorway to numerous locations, each time observing a pike on the peak of a number of hills. It always intrigued me of how to get to the pike? What it was called? And why was it there? After exploring on the Internet I came across a place called Rivington Pike, which is located above a deceased millionaires garden that generously donated the land for the public to enjoy.
Rivington Pike was the site of a beacon, used for lighting bonfires at night to send warning signals in times of danger. Another such beacon in close proximity is Ashurst's Beacon located in the south west of Rivington. The series of signals were put in place by the Earl of Chester Ranulph de Blundeville around 1139.
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| Chorley photographic society |
I decided to make a trip to Rivington to photograph the area and attempt to familiarise myself with the environment. Unfortunately the place was rather large with paths streaming of in all directions and as always I took the wrong path that lead me through woodland to a reservoir, beautiful as it was it wasn’t what I set of to photograph.
I have added the contact sheets for the shoot that have allowed me to select the most successful images.
The images however are pretty tedious and mind numbing. Overall I would say the shoot was unproductive, but I feel it’s always good to edit images because I like to believe you can work miracles.
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| ISO400, F/11, 1/320s |
As you can observe the image isn’t whatsoever spectacular or the slightest big interesting, but I do however enjoy how the trees have formed a silhouette because of the direction of the sun. The trees naturally frame the image that is always desirable. It is a shame the sky is over-exposed revealing no true details or cloud formations.
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| ISO 400,F/11, 1/125S |
The image in general isn’t outstanding or even respectable, and I deem this shoot-lacked variety. I do however believe the saturated contrasting colours work well and harmonize one another. The variety in the sky is more prominent in this image than the previous above and I consider this is because of the filter I have used throughout.
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| ISO 400,F/11, 1/125S |
am somewhat disheartened with the outcome of this image because visually the location was charming and I had the perfect opportunity to capture nature’s beauty at its best, so I am somewhat frustrated with myself. The trees and bushes form a seamless pathway streaming of into the distance providing maximum perspective. It’s a classic picture-perfect image that I feel I have utterly failed in capturing.
Unfamiliar place
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| Image taken from The Wild Boar Farms website. River Hodder |
Below are the contact sheets and the selected few images that I deemed fit for the objective set.
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| ISO 200, F3.5 1/160S |
One key feature that I have begun to appreciate is the tree that borders the image. The harmonic colours are quite bland but I feel they flatter the image suitably. Not the most interesting river scene but I believe it fulfills its purpose.
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| ISO 200, F3.5 1/160S |
I was somewhat dazed when I peered over a gated fence and witnessed this particular scene. Certainly not something you expect to see in the middle of the countryside. The pipes are obviously supplying the water for the Wild boar farm and it was obvious why they were hidden from the view of the public, as they are not the most attractive looking objects.
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| ISO 200, F3.5 1/160S |
I consider this to be a great representation of a typical countryside scene; I didn’t expect to be capturing images like this when I visited the farm so anything was a bonus. The seeping light through the trees is an added bonus exenterating the details on the trunks and emphasizing the distinct bluebells in the grass.
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| ISO 200, F3.5 1/160S |
Capturing Natural forms such as woodland, rock, rivers and clouds can offer such an abundance and mixture of characters, textures, colours and essentials. In this image I have photographed the distant scene, capturing not only the flowing river but also the overgrown greenery that surrounds. If the weather conditions had been overcast the image would appear entirely different and I may not of realised the opportunity and potential due to the difference in light source. I don’t perceive this image to be striking or great but I do believe I have captured an interesting and attractive scene .
Unfamiliar place
Significant PlaceUnfamiliar place
I recently had some trouble with my car and needed a spare part, so my friend took me to a car scrap yard were I could pick something up moderately cheap. The scrap yard was in Althem and it was unbelievable to view literally inexpressible. The place was like a vehicle grave yard or the city of the dead, it generally petrified me the thought of how many individuals must of died in there cards that were now located here. Blood could even be seen on the airbags and dotted over the wrecks. I inquired to the owner if I would be allowable to take some images as luckily I had my camera to hand.
It was a lovely hot day and the sky was dotted around with the odd cloud so I new overexposure could be very likely with the result from what I managed to capture, but I am pleased with the outcome and feel I have formed some rather unique images.
I have added the contact sheets to help In assisting my editing process.
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| ISO 400, F7.1, 1/300S |
I struggled to find the perfect viewpoint that would reveal the true manifestation. The cars were unfortunately reflecting the sun giving images of just a satisfactory standard, but nevertheless distinctive. This is one of my preferred images from the shoot and in post manipulation I have changed the colour tones to sepia to give an outdated slightly mysterious feel and approach. I am annoyed and irritated by the sizeable cloud in the distance that constructs the image to appear to be over highlighted with sufficient amounts of camera noise.
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| ISO 400, F7.1, 1/300S |
I selected this image to display variety throughout the shoot. The saturated overwhelming bold colours add to this image significantly and I enjoy how the cars have been positioned hopefully getting across the true reality of what I am describing as a car graveyard.
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| ISO 400, F7.1, 1/300S |
I cropped almost half of this image because as you can still distinguish the image is extremely over exposed. Not the desired effect but I do enjoy the outcome even if it isn’t the most technically or visually stunning image. If I had time to revisit the scrap yard again I would make sure the weather conditions were gloomy to construct and image that sky reflects the feeling I get from the place which is fear and distress.
For my familiar or significant place fragment of the brief I sought to digest places that I have visited as a youngster that hold various memories for singular reasons, certain humorous and some just great memories. One element I am looking forward to is perceiving how altered the locations are now that I have grown older and optimistically matured because everything appears bigger and more dreamlike when you are young, literally your imagination runs wild, unlike now where I have responsibilities and everything is taken more seriously, I would like to let myself go when I visit these places and get the sensation of being a child again who doesn’t have a care in the world or any form of conscience.
I have chosen to revisit Lytham, St Anne’s but more precisely the sea front with perfectly formed sand dunes and an altogether undisturbed yet busy atmosphere. One recollection of Lytham was with my grandma and granddad that had a caravan that was based on a campsite in close proximity to the beach. Being around 6 years of age we were strolling down the seafront when we came across a waterfall and a group of stepping-stones that we religiously had to cross. My grandma assisted me with crossing for safety reasons holding my hand tightly when suddenly I lost my footing and slipped but instead of myself falling into the deep water I pushed my grandma in causing her to bleed and bruise quite severely. It is something that always makes me smile when I think about it as awful as it sounds, and is often brought up on family occasions.
I visited Lytham on a beautiful crisp day capturing the glorious sunshine and lighting conditions. I decided to park up and have a stroll to various place along the sea front when I came across the well know landmark that represents Lytham being the windmill. The windmill had changed significantly not just in height but the general appearance as due to the severe weather conditions in November last year two of the four sails on the windmill got damaged and ripped off.
I have provided the contact sheets I have produced from the shoot the enable me to select images to amend.
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| ISO250, F13, 1/320S |
When capturing this image I loved the effect of the bold saturated colouring of the grass that draws you to the focal point, which in this case is the windmill, and adjoining building that is positioned comfortably against the marinated atmosphere. If I had the opportunity to reshoot the image I would position the focal point slightly to the left leaving little negative space, I believe it would give a greater perspective and configuration.
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| ISO250, F13, BULB |
I have seen sundry examples from professionals including Charlie Waite who take long exposure images that have a fantastic distortion and smoothness. I intended to capture an image with this particular element but from previous experience it takes a great deal of time and perseverance but is defiantly valuable time lost it if you accomplish the desired outcome. I shot numerous images that were incorrect, predominantly overexposed causing lack of detail and a general absence of technique. I then changed the colour preferences on my DSLR to monochrome where I achieved this image within minutes. I will be the first person to confess it isn’t a visually stunning image or the most technically challenging but I believe I have accomplished what I first set out to do.
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| ISO250, F13, 1/320S |
This image isn’t very different to the one above apart from the obvious colour and altered viewpoint. I intended to attempt in capturing diverse perspectives whether they were unintentional or purposefully framed. One element that is significant in this particular image is the feature and details in the shallow waters in the foreground were patterns have been created in the waterlogged sand.
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| ISO250, F13, 1/320S |
Whilst strolling along the stilted jetty I found myself drawn to the drenched sand that resembled sludge and mud combined together, and if you positioned yourself on it you would vanish underneath. I shot the image in monochrome and the editing process consisted of raising the contrast and dimming the image whilst altering the levels slightly to achieve the appropriate lighting outcome in each section.
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| ISO250, F13, 1/320S |
The rough textures of the casual islands of grass in the foreground of the image are what I am drawn to initially but it swiftly points you up to my initial focal point and the significant piece to why I captured the image; the windmill. The monochrome effect gives smoothness as well as a well contrasted variation of tones.
Familiar place
Another exciting commonplace to visit as a child was just down the road from Lytham. Blackpool is a seaside town attracting thousands of visitors every year to its promenade, arcades, pier, theme park and several more charms. The illuminations are held every year in around October time that display a diverse choice of lighting decorations that are revealed on a grand scale.I have many fond memories of Blackpool of a child, as it was a magical place were I felt unrestricted. I have selected to also capture images along the seafront but this time of the somewhat tacky pier and the famous “Golden mile”.
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| ISO250, F13, 1/320S |
I feel I have achieved my desired outcome with this image not only with the saturated hues in the background and atmosphere that encapsulate the mood of Blackpool, but also with the overall image. This particular view has been photographed thousands of times but I believe I have captured something quite unique. I used a vibrant red filter which I will admit wasn’t the greatest idea if adobe Photoshop hadn’t been created because the red hues had concealed the top of the tower which isn’t a desired effect, but fortunately I have managed to edit this out aswel as altering the colour variations slightly which now have given the image an orange tone.
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| ISO250, F13, 1/320S |
I wanted to create an image of the fairground that represented my imagination when I think of the pier. The harmonized softer tones create a weathered, windswept appearance almost as if it is rotten from the various weather conditions that it will experience. This is a style of imagery I wouldn’t never before think of capturing, but to be successful and well established in photography you have to become open minded otherwise you will basically not get enough cliental.
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| ISO250, F13, 1/320S |
Here is a picture taken of the identical scene as both above images but from a completely different viewpoint. I spotted this image while heading home from Blackpool and quickly pulled over to photograph it. Admittedly it was slightly rushed and it was by chance that it captured this typical scene fairly accurately. One component I like in the image is the pattern of bikes that have been formed perfectly in the foreground, almost as if it was specifically for photographing. I desaturated the colours slightly to give a more unique look, as fairgrounds are usually highly contrasted and saturated bold colours.
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| ISO 400, F,14, 1/125S |
A moderately dreary image that is lacking excitement and potential. I selected this image for a purpose when I realised the potential I had in creating an photograph in a similar style to one of my idol photographers William Eggleston. As stated earlier William captured images of everyday scenes that most people would refer to as dull and somewhat shoddy and turned them into an outstanding image. I don’t feel I have achieved anywhere near the quality of image William would of but I am pleased with my efforts and for at least attempting to create a similar scene.
Familiar PlaceI visited Blackpool a number of weeks later with my mum to visit a family member which gave me the fantastic opportunity to capture the journey back through the car window. The results aren’t fantastic but I content that I made the effort in endeavoring a fresh approach of photography.
It was particularly difficult near the end of the journey when it began to rain and I had to synchronize the camera adjacent to the windscreen wipers.
Entwistle Reservoir is a water reservoir in a small town named Edgworth, Lancashire. The reservoir's presence is due to the Entwistle Dam. Constructed in 1832 the Entwistle Dam was the highest in Britain; rising to 108 feet from the base. The reservoir contains almost 750 thousand imperial gallons that quenches around 50% of Bolton's need for drinking water.
Entwistle Reservoir is a very familiar place to me, as it is a area I visit a number of times a week to go running. It is generally a place I dread and usually cant wait to get away from because of the energy required to run around it. I understood it would be the perfect location to photograph merely due to the fact I have never took the time to witness its natural ambiance.
I planned the shoot for around 6pm when I new the natural lighting conditions would begin to disappear and optimistically form bizarre shadows.
Here are the contact sheets revealing the array of images from the Entwistle shoot.
After my planned time to shoot the images that I chose specifically for the lighting conditions, I was overall quite disappointed with the outcome as they were rather dark and uninteresting. I am still going to edit images further because there is always potential.
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| ISO 400, F6.3 1/20S |
The small castle shaped building caused me several problems when trying to acquire the correct viewpoint. I tried numerous positions and the image looked incomplete. I then moved to the left of the building were I could also capture the water from the reservoir and I think it has enhanced the image significantly.
The small castle shaped building caused me several problems when trying to acquire the correct viewpoint. I tried numerous positions and the image looked incomplete. I then moved to the left of the building were I could also capture the water from the reservoir and I think it has enhanced the image significantly.
I don’t consider that I have captured the genuine architectural beauty of the unique situation, but I do however sense I have detained the history of the barricade by merely chance. I shot the image in monochrome and I definitely know this was the right decision as if it was captured in colour the representation wouldn’t be fit for use
Countryside or Wilderness
There are many locations that I could have chosen to photograph when capturing images of the countryside. I decided to stay fairly local because fortunately we are surrounded by greenery and even wilder environments, we don’t have to travel excessive amounts to get the impression as if we are cut of and secluded from everybody else. I decided I could incorporate two categories for this segment of the brief and visit a place significant to myself but also incorporating the countryside characteristic.
I decided to photograph a location in north Yorkshire that I used to visit as a child with my family called Malham Tarn. Not only significant to myself but quite a well known respected location as one of the Harry Potter films was party filmed here.
"Harry Potter and the Deathly Hallows, Harry Potter seen camping at Malham Cove! Scenes for Harry Potter and The Deathly Hollows were filmed all around Malham including Malham Cove, the limestone pavement, Malham Tarn and Gordale Scar." http://www.malhamdale.com/cove.htm
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| http://www.malhamdale.com/cove.htm |
Unfortunately on the day of the planned shoot the weather conditions were dreadful with torrential rain being continuous throughout the day. The grass was rather slippy and it was difficult to balance and even get an image that was in focus, although it was refreshing.
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| ISO 400, F,4, 1/300S |
A typical countryside scene that has hold particularly interesting features but that I consider holds the classic countryside characteristics. The saturated green colouring has been adjusted and increased whilst editing in Photoshop whilst also darkening the entire clarity of the image providing the sky and clouds with a more glummer outcome.
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| ISO 400, F,4, 1/300S |
An almost identical image as the one shown above apart from the apparent colour difference because of the vibrant filter used for this shot. I enjoy the tonal contrasts between the two images but I do however need to improve my technique when using a filter because I am not only altering the colour of the sky’s I seem to change the colour of objects and items half way down the image which I don’t suppose is correct.
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| ISO 400, F,4, 1/300S |
I particularly enjoy the slippery effect given of from the boulders, it was a long walk down to get close enough up to capture significant vital details which I feel I have been successful with. The overexposed, overcast sky ruined the image so I have cropped most of the sky out, optimistic that i haven't downgraded the overall appearance.
Countryside & wilderness
The historical significance of Pendle Hill contributes an unwelcoming and peculiar quality. It was treated as a burial ground in the Bronze Age and a 7,000 year old burial mound can be discovered on the summit. More recently in the 17th century the events that steered to the hanging of the Pendle Witches, took place. The testimony against them was scarcely convincing, but nevertheless a substantial folklore has developed up around the witches, whose remembrance is preserved by a hilltop congregation every Halloween.
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| outdoors magic.com |
Pendle Hill played a major part with forming my childhood memories. My nana and Grandpa lived in clitheroe at the time and Pendle was often a place we would visit whether it may be walks or flying our kites.
Whilst driving in the Clitheroe area, on a lovely warm day having my camera handy I decided it would be the perfect opportunity to seize the moment and hopefully capture some breathtaking views.
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| ISO 400, F,14, 1/125S |
I attempted to form a certain texture with this image so I led flat on my front and captured the image on the same level as the grassland. To help balance the image I have adjusted the levels slightly to help increase the cloud formation although through doing this I have generated a great deal of camera noise and polarization, which is an undesirable element for any photographer.
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| ISO 400, F,14, 1/125S |
I attempted to create a gritty rough texture in the hay like areas in this specific image. I saw the potential for a diverse viewpoint and seized the opportunity. I do enjoy the image although I feel it is lacking excitement and would be better have a more defined focal point.
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| ISO 400, F,14, 1/125S |
A typically captured landscape scene revealing Pendle Hills natural attraction and beauty. I particularly adore the vibrant greens used that entice you into the image. If time was on my side I would go back and reshoot the image maybe capturing it side on instead of straight on to get familiarity and experience with endeavoring diverse viewpoints.
With most of my landscape images I merely adjust the vibrancy and saturation usually in a decreasing fashion. I can perceive how my image style has transformed over the past number of years as formerly I would have the contrast set to the most concentrated.
Countryside and wilderness
I concluded for one of my shoots that I would basically travel around Blackburn and its surrounding areas and pick out locations and architecture that I wouldn’t normally be aware of. It amazed me in the space of a couple of hours I had captured many locations that were previously unknown. I travelled to areas such as India Mill in Darwen, Hoddleston, Turton and Chapletown, and other unacquainted areas of Blackburn
There were various genres of photography captured throughout the shoot but I will only be revealing the images suitable for this particular category.
I believe I have captured a typical countryside scene entirely here and I am very pleased with the outcome. I adore the monochrome affect, which was shot straight from the camera. I also the how the image feels cold and reveals a windy atmosphere which definitely has been depicted well.
I really love the atmosphere this image distributes; it’s like a scene of an old fashioned film. I saw this image whilst driving over a railway bridge and acknowledged the attractive picturesque scene. I purposely zoomed into the track capturing it just before it curves of out of the image that I enjoy because it leaves the viewer in suspense.
I often see this view and want to pull over and photograph it and fortunately this time I had my camera at hand. The pattern created from the recurring pylons is an element in which I enjoy. I particularly like the dramatic sky but I feel it would be better if I have tried HDR, but unfortunately I don’t have the knowledge and ability to try this just yet. I see this scene as beautiful were as other individuals who are more protective about the appearance of the landscape see them as an eyesore.
This is my favored image captured throughout the whole brief. Untouched without and element of post editing I believe it’s the charming attractive scene that appears as if it had been captured on film. I am unsure whether to use this image under the category of countryside or whether to interpret my own version of an urban sprawl. I captured the image from the view of Entwisle Reservoirs over flow which I immediately new it would form an image of beauty.
Urban Sprawl
With this brief it was especially thought provoking how the images have a relationship and can interchange with each category. With the last shoot of capturing images around and about, I didn’t merely photograph the countryside I also incorporated the urban aspect. This is a completely new genre to me so I feel my images are slightly lacking and I require advancing this in the future.
I always consider urban, as modernistic developments so I thought this would be a great opportunity to photograph the service station. Only completed a number of months ago the garage is bursting with innovative technology. I was inspired to carry out this image by a photographer named Panos Kokkinias who meticulously yet discreetly staged his images. Please find the example below.
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| Gas Station (2003) |
Panos often forms images of places that not only are fresh, they are fully charged with symbolism and meaning.
I believed the local council flats located in Darwen would be great representations of an urban area. Many urban images I have viewed seem to have a quite dingy looking appearance. I do however regret capturing the images on an overcast day but the sky appears overexposed and dreary. There is also repetition that has been formed throughout and I enjoy my choice of composition and perspective.
I’m not entirely certain if this image would be classed as urban but I will identify it as in the instance. The distorted chimney and distinct perspective gives the image a strong first impression. It was important that the sky wasn’t to overcast or overexposed because of the chimney leading the viewer up to the skyline.
A very typical backstreet terrace image that projects the perfect urban scene and I am quite satisfied. whilst undergoing part of the people brief I came across The perfectly placed bins that looked as if it was done purposely to photograph.
Evaluation
I thoroughly enjoyed researching and shooting images throughout the Places brief, It’s a very nice feeling knowing the amount of work needed to finish a task to the desired criteria is something that you have genuinely enjoyed. I have always been a strong fanatic of landscape photography and capturing the natural elements outdoors so I was particularly excited when the brief was revealed. The countryside and wilderness section was a fairly simple concept to employ, although I do not believe I have shot any image in this brief reaching its full potential, some images I believe look sloppy and poor, and not at all well formed which saddens me greatly but I can identify that I made a lot of effort to get out and shoot creating fifteen shoots in total, although I know its not the quantity in my images its most definitely the quality. I also have discovered something that I would never believe I would hear myself admit before, but I do believe some areas of Blackburn carry excellent foundations in creating a lovely pleasing image. I can see from my feelings changing on this matter that I have unquestionably opened my mind to more diverse areas of photography. An usual aspect of the brief that I had never previously touched on was “Urban sprawl” which if I’m honest was the least section of the brief that I was looking forward to, but my feelings have transformed immensely and I relished researching and exploring into established photographers and there unique ideas and loved capturing urban environments that I would normally not even bother visiting or showing an interest in. What I found interesting with urban is the distinct array and variation of perspective that you can trial because there isn’t an accepted and projected angle of view unlike with most countryside or typical picturesque scenes where its usually a given and has already been photographed on countless occasions.
It was particularly nice to have the opportunity to visit old memories and destinations that hadn’t been retreated to since childhood. I found Lytham brought back some fantastic memories and almost everywhere I glanced was a great opportunity for some images. If time was on my side I would go back and capture different images and try and endeavor the technique that is named HDR (high dynamic range) were you apply a bracketing technique. It is a method I have sought after become skilled at but never had the opportunity to properly grasp.
It was also nice to be able to incorporate my images shot in Paris into the brief under the category of unfamiliar and was a fantastic opportunity throughout the section to visit places we have always wanted but never had the drive to get up and go.
Overall I feel I have achieved a great deal of knowledge and understanding, and hopefully capturing images that slip into the category nicely of a substantial requirement. If I had the opportunity again not just with this brief but will the ones to follow I will be keeping a closer eye on my time management as I feel I focus to much on attempting to get my research to a high degree that I slip of the edge and diminish my work in other vital areas.
